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The finest works of H P Lovecraft, renowned as one of the great horror writers of all time. A major figure in twentieth-century supernatural fiction, H P Lovecraft produced works of enduring power. He has influenced the whole spectrum of those working in the horror genre, from Stephen King to the creators of hit TV show Buffy the Vampire Slayer. Gathered together in this volume are seven of his greatest works, including the three short novels, The Case of Charles Dexter Ward, At the Mountains of Madness and The Dream-Quest of Unknown Kadath. Timeless in their appeal, these classics of the sinister and the macabre hold the power to truly terrify.
- Sales Rank: #1981171 in Books
- Published on: 1985
- Original language: English
- Number of items: 1
- Dimensions: 7.48" h x 1.26" w x 5.12" l, .61 pounds
- Binding: Mass Market Paperback
- 560 pages
From the Publisher
'Go thou to H. P. Lovecraft and shudder.' - Sun
'These tales of horror are in the true gothic tradition ... full of hinted terrors and unholy stenches. They are something very much out of the ordinary, a real collector's piece for connoisseurs of the unusual! Lovers of the macabre, the sinister, and the uncanny, take note.' - Guardian
'For those who like the thoroughly ghastly, the loudly macabre, with all the stenches and moans of ravished churchyards, this is the book.' - RUPERT CROFT-COOKE
About the Author
Renowned as one of the great horror-writers of all time, H.P. Lovecraft was born in 1890 and lived most of his life in Providence, Rhode Island. Among his many classic horror stories, many of which were published in book form only after his death in 1937, are 'At the Mountains of Madness and Other Novels of Terror' (1964), 'Dagon and Other Macabre Tales' (1965), and 'The Horror in the Museum and Other Revisions' (1970).
Most helpful customer reviews
6 of 6 people found the following review helpful.
At the Mountains of Madness -- Classic horror
By James Barker
When I first read this book, I was, frankly, disappointed. I had been hearing about the greatness of H.P. Lovecraft for years, and finally bought this book. The stories, while interesting, didn't hold the fascination that I had hoped. Then I read the book again. I was blown away by it; this book becomes greater every successive time one reads it. The horror, although one knows the ending, still accumulates, and grabs you by the heart when you _know_ that something bad is about to happen. And the stories themselves are amazing, expecially in later readings. The Cthulhu Mythos ones are the best, and in fact, I didn't enjoy the dreamquest stories half as much. All the same, still a thorougly enjoyable book, though better the second time.
8 of 9 people found the following review helpful.
True Genius
By Theo
"Genius" is one of those terms that has been over-used to the point where its real meaning is almost lost to us. Almost, but not quite. Because in all candor, what we have here is the genuine article.
As with any work of literary genius, Lovecraft's writing cannot really be analyzed merely by breaking it down into its component parts. But if I may be allowed to simplify in interests of writing a relatively straightforward review, it might be said that I accord Lovecraft this status on two grounds:
First, he is one of those very, very rare individuals to have truly added something the consciousness of the human race. Like Giotto giving birth to the art of painting as we now conceive it - or on an arguably more modest scale, Stan Lee taking his own medium out of the banality of the 1950s and setting in motion the Silver Age of comics - Lovecraft added something to our collective imagination that was not there before. Cosmic Horror was, ultimately, his creation. And it is a far more intelligent and realist offering than many may credit.
As for the origins of this vision, I have myself read that having declared himself an atheist at a very young age, Lovecraft also discovered that he could no longer truly dread the traditional staples of the horror genre: vampires, demons, ghosts, and so on, regarding them as he now did as wholly unbelievable. The horrors to be found within his own works were, apparently, the result of the young Lovecraft asking what he himself could truly fear.
A century later, judged purely by the standards of mainstream science, the answers he came up with seem astonishingly lucid, even prescient. Given that today's astrobiologists estimate that any alien life we might encounter would, on average, be at least a billion years removed from us in evolution, Lovecraft's Great Old Ones must certainly be deemed a far more realist imagining than Klingons or Jawas. In fact, I find that I can't help but hearken to Arthur C. Clarke's famous adage that any sufficiently advanced technology would be indistinguishable from magic. Or, for that matter, hear the voice of Stephen Hawking warning us against the terrible folly of trying to contact intelligent alien life.
My second reason for according Lovecraft genius status is quite simply this: His writing is beautiful. His style often has a formality and at times even a complexity that one does not normally associate with good writing. Indeed, far more often these features are to be found in horrible, awful, stilted writing. If you are at all familiar with the works of the real world occultist A.E. Waite (as Lovecraft himself evidently was), it may help clarify things if I tell you that I once described Lovecraft's style to a friend by saying that Lovecraft wrote like A.E. Waite would write if Waite was actually a good writer.
"But", my astonished friend objected, "A.E. Waite is a TERRIBLE writer"!
"Yes", I agreed, "he is". But, as I went on to explain, somehow Lovecraft pulls it off. His sheer ability to put one word in front of another has an elegance approaching, and maybe even equaling that of Jane Austin - I kid you not. Although I must add that where she is pert and succinct, he is positively baroque.
Very well then. So much for my opinion of Lovecraft's work in general. How about this specific volume?
Well, it is the book through which I personally first became acquainted with Lovecraft's work, so I suppose as such I have some sentimental attachment to it. But I would also recommend it on more objective grounds. Lovecraft wrote in novellas and short stories rather than in full sized novels. This means that if you are going to explore his work, you will need to do so via collections such as this one. And this one is an especially good place to start. I say that for three reasons:
First, it is part one of a three volume series that contains literally everything Lovecraft ever wrote. Thus, should you ever decide that you want to explore Lovecraft's body of work in its totality, you can easily use this series to do so without any difficulty or redundancy.
Second, this volume, the first in the series, is for the most part the best: it contains what the editors considered to be Lovecraft's "A" material. That said, both of the latter two volumes contain some very highly regarded classics as well, including some that I personally regard as equal to or better than at least some of the stories in volume one. For those already familiar with Lovecraft's work, the specific tales to be found in this volume (volume one) are: At the Mountains of Madness, The Case of Charles Dexter Ward, The Dreams in the Witch-House, The Statement of Randolph Carter, The Dream Quest of Unknown Kadath, The Silver Key, and Through the Gates of the Silver Key.
Finally, for those of us who still nurture a fondness for old fashioned books made from paper, each volume in the series is a modestly sized and priced paperback that you can comfortably hold while reading lying down in bed, in the bath, or wherever, without feeling like you're supporting a small atlas.
So yes, long story short, this is a book I'd recommend buying.
Even though I did once loan it to a friend who subsequently went insane.
But... One assumes that those two events were unrelated.
Theo.
5 of 7 people found the following review helpful.
A mixed batch of stories
By Turbo
The stories in this collection vary widely in quality, with some delivering great chills and tension, and others running painfully long and unfocused.
THE GREAT: "The Case of Charles Dexter Ward" is riveting, scary stuff. "The Dreams in the Witch-House" is another horror masterpiece, and "The Statement of Randolph Carter" is short but casts an eerie spell.
THE DECENT: "At the Mountains of Madness" has a few thrilling moments, but rambles a little too much IMHO. "The Silver Key" and "Through the Gates of the Silver Key" are a little too heavy on the fantasy stuff for my liking, but fans of this genre might get more out of these stories than I did.
THE ABYSMAL: It's never a good sign when the book's preface refers to a story within as "unsatisfying," as this book does about "The Dream-Quest of Unknown Kadath." Unfortunately, it's as bad as advertised -- I had to struggle mightly to get through the rambling prose. Brutal stuff.
If you can find this one cheap, it's worth a look for the three classic stories listed above, as well as "Mountains" (which has its fans, despite my so-so opinion of it).
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